Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Woman oil painting


Woman
mk128 Oil on canvas 51.3x65cm
Painting ID::  37715 		Edgar Degas
Woman
mk128 Oil on canvas 51.3x65cm
   
   
     
Edgar Degas Passion of Jesus oil painting


Passion of Jesus
mk128 Oil on canvas 67x92cm About 1868-1872
Painting ID::  37716 		Edgar Degas
Passion of Jesus
mk128 Oil on canvas 67x92cm About 1868-1872
   
   
     
Edgar Degas Portrait oil painting


Portrait
mk128 Oil on canvas 73x110 1869
Painting ID::  37717 		Edgar Degas
Portrait
mk128 Oil on canvas 73x110 1869
   
   
     
Edgar Degas Jumping the Gun oil painting


Jumping the Gun
mk128 Oil on canvas 32x40cm About 1869-1872
Painting ID::  37718 		Edgar Degas
Jumping the Gun
mk128 Oil on canvas 32x40cm About 1869-1872
   
   
     
Edgar Degas Racetrack oil painting


Racetrack
mk128 Oil on canvas 36x55cm About 1870-1873
Painting ID::  37719 		Edgar Degas
Racetrack
mk128 Oil on canvas 36x55cm About 1870-1873
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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